Through a thick filter of pathetic romance, the image of Rage is degraded by the culture industry. Rage is seen wearing reality’s blood-stained rags, clothed in the tattered uniformity of boredom, the wretched indifference of perpetual novelty. The subtraction of romance would help to demystify the essential nature of Rage and free it from any hope of a “better future” or a “world to come.” The harm done to Rage by “the rhetoric of reality” (i.e. representation of individual, insignificant, and / or local Rage events), is a problem “of which nothing can be said, so one must remain silent.” A problem whose solution is of the highest importance: to disassociate Rage from its manifestations, to subtract all particular details from Rage itself, to determine the minimal conditions for Rage to appear.
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